Debuting Artist: Emily Valley
By Sarah Baker
Emily joins the production team for the very first time with OpenStage in Reefer Madness!
Can you share a bit about your background and how you first became involved in theatre design?
I’ve been involved in theater pretty much my whole life. Honestly, my first dabble in costume design was costuming myself with fun pieces from my grandmother when I would perform for my family as a child, or tracing my body on a piece of fabric to try and make myself gowns. (That method never worked out 😂). I grew up in Colorado and studied theatre at the University of Wyoming. I was a performance major but began to explore costume design during my time there. After graduation, while working at Midtown Arts Center as an actor, approached Kenny Moten, the artistic director at the time, about costuming a show. He’s support and collaboration from that moment forward were truly the catalyst for the work I do today. I discovered how much I love creating pictures on stage and supporting the story through costume.
How did you first hear about OpenStage, and what drew you to work with us for this show?
I’ve always known about OpenStage but an opportunity hadn’t quite worked out. I’ve worked closely with the director, Kenny Moten, and when Sydney reached out about this project I was thrilled at the chance to work in the city where I live. I travel a lot for my costuming work so being able to create some thing in my own community is really exciting.
What is your specific role or area of expertise for this show, and what excited you the most about working on this production?
I’m the costume designer for Reefer Madness. I think the overall bizarre nature of this show has been a really fun project to collaborate with the other designers and the directors. While developing how we wanted to tell this story our way, I think again being in my own community has been the most exciting piece for me. I feel proud be part of the work produced out of OpenStage, the connections made with our sponsors and the community within our wonderful town.
What is the most interesting or unique aspect of your design/technical work for this production?
I love how we have played with color. Our beige, cream and brown 1930s townsfolk contrast from our colorful and zany reefer den characters.
Can you describe any particular challenges you’ve faced while working on this show, and how you’ve overcome them?
I’ve not worked with stage blood really ever so the trial and error of that brought a lot of learning. But we have such a collaborative design team and because so much or our individual work in this show overlaps, we worked through those things together.
Why do you think Reefer Madness is significant or relevant to audiences today?
There are things today that due to fear, lack of understanding, or pure stubbornness in perspective, lead to spreading misunderstanding, lies, and fear. While this story is an over the top satire, it also rings true to the ongoing fight to clarify what is true and what is fabricated. Reefer Madness let’s us get a laugh with it’s sheer absurdity and humor.
Who is your favorite character in the show and why?
I just love Mae. I love her journey of liberation, her vibrancy and her truly relatable inner conflict. I think all women can relate in someway to the turmoil that is Mae! (And I love her costumes!)
Do you have a favorite song in the show? If so, which one and why?
“The Stuff” and “Mary Jane/Mary Lane”. Because Mae! And also I love a feel-good sing-a-long.
What is your favorite play or musical?
Favorite musical is Funny Girl. I loved watching that growing up and just always wanted to perform on roller skates after watching it. One day!
What is one of your favorite designs or technical achievements from your career so far, and what made it special to you?
One of my favorite design projects was costume designing Murder on the Orient Express. I love that era and it was special because I was also part of the cast and got to perform as well, which was a real joy.
What do you like to do in your free time, when you’re not working on theatre projects?
I love to spend my free time with my daughter (17) and our pup. We like to cook together, play cards and watch cooking shows. I love to hike in our beautiful mountains, reset with yoga, sunbathe, enjoy a beer with the company of dear friends, and maybe work on one of the many random projects I have in progress at home.
Reefer Madness
Book by Kevin Murphy & Dan Studney
Music by Dan Studney
Lyrics by Kevin Murphy
Directed by Kenny Moten
November 2–30, 2024
Playing at The Lincoln Center Magnolia Theatre
Come see Emily’s work in Reefer Madness, November 2-30!
There is a new menace sweeping the nation, ready to ensnare and seduce the youth and drag them down into a life of sin: Reefer Madness! Inspired by the 1936 propaganda film of the same name, this raucous musical comedy takes a tongue-in-cheek look at the hysteria caused when clean-cut kids, Jimmy and Mary Lane, fall prey to marijuana, leading them on a delirious downward spiral filled with jazz music, sex and violence. Full of camp, hilarity, and mayhem—if you get high on laughter you have come to the right place!
CONTENT WARNING: Adult Language. Adult Situations. For specific content and trigger warnings
contact OpenStage- 970-567-7387.